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When Lewis & Grundy moved out to Lenton in 1971, they gave the clock to the city council, which kept it in the Brewhouse Yard museum and then had it repaired and put back in place in 1981. The smiths also had rubber aprons, which flapped slightly in the wind. On the hour, they struck four times each, and the grey-haired senior smith hammered out the time.įive bulbs lit the forge behind them - it went from a flicker to a fierce orange glow - and a customised steel gong concealed under the forge canopy gave out the loud clinks of a blacksmith at work. Such a firm wanted a clock that showed their "workmanship and originality" - and they certainly got it.īack when it was fully working, the two smiths would each strike every 15 minutes. They were also the only shop in Notts or Derbyshire that could sell you a Remington typewriter.īy 1949, when they commissioned this clock from G & F Cope, another famous old Nottingham firm, they were "architectural ironmongers", with a range from door handles to spiral staircases.The bronze for the stairs at the old Co-op department store was cast in their Lace Market works. In Industries of Nottingham (1889), their list of specialist stock includes "all kinds of colliery equipment", silver goods, gas lamps and cutlery. And the little blacksmiths on the top show you what they did: ironmongery, although that seems too narrow a term. This announces the name of Lewis & Grundy, the firm based here from 1869 until 1971. Watch out for the three decorative panels, depicting "agriculture", "trade" and "commerce".īut the star turn is the magnificent clock.
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Robert Evans, who built it in 1870, and Evans and Jolley, who expanded it in 1873, have packed in plenty of details, some more fitting than others for its overall Italianate style. WHAT: This is one of those buildings that rewards a long look. WHERE: Pit and Pendulum pub, Victoria Street Under Scan is operating tonight from dusk until the small hours, and tomorrow from dusk until midnight. Are these ghosts flickering in your path? Animated chalk outlines? I suggest you go and decide for yourself. And a court courtyard is certainly a fertile place for the imagination. Those enjoying it then, are those in the know - you now included, I hope.
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The only pedestrians here after dark are rushing for their trains, and not to be distracted by the wonders of contemporary art.
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In its four previous visits to East Midlands cities, it has had spots with plenty of passers-by - the market places in Derby and Lincoln, to take two.īut with our square shut, it has landed where few walk at night. It's a beguiling effect, although disturbing when played out on these deserted courthouse steps.Īnd that points to the great strangeness of Under Scan in Nottingham, for now its final stop. Each film shows a person from the East Midlands making a brief loop of movement - many of them were filmed at the Broadway in the city last July. Stay and let your shadow fall over one, and it will begin to move. Then a computer guides another 14 robot-controlled projectors to cast images where it thinks you are about to walk. It comes on at dusk.Īs you pass through, a super-bright projector flicks on.
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It cost the Arts Council and the East Midlands Development Agency nearly £1m, but it's free to wander around. Under Scan, by Rafael Lorenzo-Hemmer, claims to be "the world's largest interactive video art installation". If you have a very efficient paperboy, and you're reading this at noon today, you have another 36 hours to see it.
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WHAT: Most things discussed in this series have been in place for decades and, with a following wind, will be there decades more. WHERE: Outside Nottingham Magistrates' Court, Castle Wharf.